Screenplays are interesting
monsters. I say that in the most
loving and hateful way I can. Every filmmaker wants or wishes they could write
the next biggest screenplay hit. They want to be the next Joss Whedon with an
Avengers script, or Shane Black getting paid over a million dollars based off
of just the treatment and not even the script. They can get too flashy, or creative, and loose track of the
importance of writing a screenplay. It all comes down to just the story. That
is why covers to my screenplays are very basic, and looks like most Hollywood
scripts.
The
Last Drive was a seven page short screenplay that I wrote in 2011 just for
fun. It wasn’t for a class or assignment, just for myself because I had a great
idea stuck in my head and I wanted to get it out. The importance of the title
page is the same as a book, just not as showy. It’s the first thing people are
going to see and read. Of course it’s important to have the writer’s name on
it, more then once would be ideal, and it’ll have a way to contact the writer.
For contacting it could either be a phone number, e-mail address, or in some
case a physical address can be used.
The main thing about the cover page
is the title of the screenplay you are showing. Titles alone can make or break
your chance of getting it made, or even just looked at. I personally feel that
the best titles tell a part of the story, while leaving just a little bit of
mystery. Movies like The Sixth Sense,
Along Came Polly, The Thing, and Cabin in the Woods, seem straightforward; yet still hold a slight
bit of intrigue curiosity to them. That’s what I tried to do with The Last Drive. It’s telling you the
part of the story it wants you to know right off the bat, this is the last drive
for someone, but it makes you wonder why.
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